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The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; George Orwell; and Mary Shelley, amongst a host of others.

Four books...one groundbreaking author. This collection includes Mrs Dalloway (1925), To the Lighthouse (1927), A Room of One’s Own (1929), and The Waves (1931).

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Five stories from influential women writers of the 19th century and the first decades of the 20th century. New Zealand-born Katherine Mansfield settled in England where she wrote a series of short stories that are widely recognized as among the finest of the 20th century for their economy, clarity, sensitivity and effect. "The Garden Party" is one of her most famous, while "Daughters of the Late Colonel" shows a wonderful sense of wit.

Diana Merriwell and Giles Sinclair only tolerate one another for the sake of their nearest and dearest. Everyone believes that they are meant to be together, but Diana and Giles know that it is animosity, not attraction, that fuels their barbed exchanges. Anyway, Diana loves her freedom too much to give it up for marriage, and Giles is happily wedded to his bachelor lifestyle. After Giles' curmudgeonly father, the Duke of Harpenden, unexpectedly turns up his toes, it's only a matter of time before the circumstances of his only son's birth are revealed.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

The Royal Botanic Gardens in London are lovely, no doubt. Many people wander down the flowered path; couples with children, young men with their elders, working class woman, and dating couples. Regardless of their circumstances, they all take in the beauty around them.

Bookish, snarky, and fiercely independent Nate Boudreaux leads a solitary life. Between teaching classes at the university and working toward his PhD, he doesn’t need a partner to occupy his time, and he certainly doesn’t need a man like Alistair Drake complicating his future. Alistair Drake, black sheep of the tremendously wealthy Drake family, is more interested in adding another notch to his bedpost than another zero to his bank account.

Single mom Jeanie Long was trying to save her butt at work by reporting her manager to the company owner. Instead she finds herself greeted warmly by gorgeous company CEO Camden James...and introduced to his father as his fiancée. Now she's been hired - complete with a hefty pay raise - to be the fake fiancée of the infamous "Penthouse Prince". Camden doesn't believe in love. He believes in mutually beneficial business arrangements.

Challenging the view that autism is something that needs to be ‘cured', Virginia Bovell testifies to the extraordinary care Danny has received for over 30 years and the everyday kindness and decency of the people – ‘the band of angels' – that surround him. She asks us to consider what makes a thriving individual versus an inadequate one; what it means to be ill versus what it means to not to conform; what roles society values and rewards; and how humans might flourish outside of failing political and economic systems.

A treasure chest of timeless short stories by some of the world's greatest authors.

Widowed duchess Sophie will do anything to protect her son and his inheritance. Even ask roguish Lord Nicholas Pascoe to retrieve her late husband’s diaries before the secrets they contain bring down the government and the monarchy! Sophie knows she must maintain her distance from Nicholas…only she can’t help but respond to the desire in his eyes. Their mission is treacherous, but will it prove as dangerous as their unexpected attraction?

We live in a world designed to make us hate our bodies. By the time children start school, most have learned that 'fat' is bad. As they get older, many pursue thinness to survive in a society that ties their value to their size. Meanwhile, multibillion-dollar industries thrive on our insecurities, and the medical system pushes weight loss at almost any cost. Talking to researchers, doctors, and activists, as well as parents and young people, Virginia Sole-Smith lays bare how diet culture has perpetuated a crisis of disordered eating and body hatred.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Virginia Howes was a mother of four doing the ironing when she had a revelation. Still broody, but not really wanting to add to her family, she realised that becoming a midwife was her true vocation. It was a long journey to get the education and qualifications she needed, especially with a young family, but she was determined and never doubted her decision. Following her training, she spent three years working within the NHS, but her naturally independent spirit fought against the constraints of the system and 12 years ago she decided to set up on her own.

Mrs. Dalloway, perhaps Virginia Woolf’s greatest novel, vividly follows English socialite Clarissa Dalloway as she prepares for a party in post-World War I London. Four-time Oscar nominee Annette Bening ( American Beauty, The Kids Are All Right) brings Woolf’s stream-of-consciousness style of storytelling to life, exploring the hidden springs of thought and action in one day of a woman’s life in a brilliant performance.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing writing on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

The unabridged, downloadable audiobook edition of Virginia Nicholson's Millions Like Us: Women's Lives in the Second World War. A special multi-voice recording featuring five actresses that bring to life the hundreds of personal testimonies, diary entries and books that make up this superb study. Read by Patience Tomlinson, Annie Aldington, Rachel Bavidge, Julie Maisey and Georgina Sutton.

As a pioneering female correspondent, she reported from Europe from the 1930s into the Second World War, watching 'the lights in the death-chamber go out one by one' from the frontline - always in the right place at the right time. Flinging off her heels under shellfire; meeting Hitler ('an inconspicuous little man') and the 'dapper' Mussolini; gossiping with Churchill by his goldfish pond or dancing in the bomb-blasted Ritz; reading The Intelligent Woman's Guide to Socialism on a Soviet train or eating reindeer with guerrilla skiers....

Virginia Grohl, mother of Dave Grohl, had not seen any of it coming. Not the arenas of screaming fans, not Nirvana or the Foo Fighters, not the induction into the Rock and Roll Hall of Fame, and certainly not her son, Dave, performing with Sir Paul McCartney at the White House. Theirs had always been a life full of music - the Grohl family sang together on long car trips, harmonising to Motown and David Bowie - yet Virginia never expected her son to become a musician.