Showing results by narrator "Harry Edwards" in All Categories

Between 1947 and 1957, Ealing Studios produced a series of immensely popular, darkly funny film comedies that made the West London borough famous throughout the world. Almost 50 years later, four of these timeless films were recreated for BBC Radio 4, and are now collected together for the first time.

First broadcast on the BBC Home Service, We’re in Business ran for two series between 1959 and 1960. It starred Peter Jones as dodgy small-time businessman Dudley Grosvenor, who’s always looking to make a fast buck with his crooked schemes – usually at the expense of his hapless sidekick, Harry (Harry Worth). Dudley spends his life lurching from one crisis to another, secure in the belief that “it might never happen" – but when it inevitably does, both men end up in a fix…

Arthur Ford was an American psychic, spiritual medium, and foudner of the Spiritual Frontiers Fellowship. Thomas Merton was an Anglo-American Catholic writer, mystic, and Trappist monk. Harry Edwards was a well-known spiritual healer, teacher, and author. Ernest Holmes was an American spiritual writer, teacher, and leader.

The original version of LATW’s groundbreaking docudrama about the Pentagon Papers, the infamous classified documents about US involvement in the Vietnam War, and how The Washington Post fought the government to publish them. Includes a 1991 panel discussion with journalists Ben Bradlee, Peter Braestrup, Robert Maynard, Carla Robbins, Robert Scheer, and George Wilson.

The Scopes trial, over the right to teach evolution in public schools, reaffirmed the importance of intellectual freedom as codified in the Bill of Rights. The trial, in a small-town Tennessee courtroom in 1925, set the stage for ongoing national debates over the separation of church and state in a democratic society - debates that continue to this day.

Director David Fishelson transforms Dostoyevsky's The Brothers Karamazov and The Idiot into spellbinding drama that illuminates both titanic novels. In The Brothers Karamazov, the passionate brothers spring to life, led by their roué of a father ¿ who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka.

The Listening Conductor explores one of the most important aspects of choral training and development—the power of listening. Why do we need to listen in rehearsals? How do we develop and improve our listening? How does focussed listening impact on choral development? How does actively listening to a choir provide conductors with creative opportunities to improve ensemble?