Showing results by author "Lavinia Greenlaw" in All Categories

From the celebrated poet, novelist and memoirist, The Vast Extent is an ingenious constellation of "exploded essays" about light and image, seeing and the unseen. Each is a record of how thought builds and ideas emerge, aligning art, myth, strange voyages, scientific scrutiny and a poet's response so that they cast light upon each other. Ranging across caves, seasickness, early photography, boredom, wonder, mountains, mice, the body and its shadow, Lavinia Greenlaw invites us to travel such questions as how we might describe what we have never seen before.

Part memoir, part manifesto, Some Answers Without Questions is a rigorous and lyrical work of self-investigation. Lavinia Greenlaw sets out to explore the impulse to say something, to write or sing, and finds herself confronting matters of presence and absence, anger and speechlessness, authority and permission. The result is important and timely, a spirited and vital exploration of what enables anyone - but a woman and an artist in particular - to create and record even when not invited to do so.

The emergence of the Polgar sisters in the 1970s and 80s rocked the chess world. In a heavily male dominated game, the three Hungarian girls broke record after record. The Chess Girls is the story of their parents, Laszlo and Klara Polgar, and how they defied the Communist authorities to conduct a remarkable educational experiment. Laszlo Polgar, convinced that any healthy child can be trained to become a genius, set out to prove his theory with his own children.

The five titles shortlisted for the BBC National Short Story Award 2013, administered in partnership with BookTrust. Contains: Mrs Fox by Sarah Hall read by Andrea Riseborough, Barmouth by Lisa Blower read by Rebekah Staton, Prepositions by Lionel Shriver read by Nancy Crane, Notes from the House of Spirits by Lucy Wood read by Hattie Morahan, We Are Watching Something Terrible Happening by Lavinia Greenlaw read by Claire Skinner.

A BBC Radio 4 full-cast dramatisation of Chaucer's Troilus and Criseyde by poet and writer Lavinia Greenlaw.

One of the great works of English literature, this powerful, compelling story explores love from its first tentative beginnings through to passionate sensuality and eventual tragic disillusionment. Lavinia Greenlaw's new version for radio brings Chaucer's language up-to-date for a modern audience while remaining true to his original poetic intention.

Iris, a museum conservator in her late 40s, is separating from her husband while bringing up two daughters in a house that's falling down. Raif is a stalled academic, as uncertain of the past as he is the future, whose girlfriend is about to move in. They meet by chance, nothing important is said, yet Iris turns away and starts to run. She is in shock from what this man has brought back to life: an electrical affinity, a higher self, a feeling of having been woken, recognized, and desired.

The Built Moment is divided into two sections. The first, 'The Sea Is an Edge and an Ending', is a sequence of poems about her father's disappearance into Alzheimer's. It is not a narrative of illness so much as a meditation on the metaphysics of memory loss. What does it mean only to exist in the present, for your sense of self to come loose and for the past to float free? The second half of the book is called 'The Bluebell Horizontal'.