Showing results by author "Kelley Armstrong" in All Categories

For modern-day detective Mallory Atkinson, being trapped in the body of a Victorian housemaid means overcoming endless obstacles. Her current challenge is winning over the suspicious young parlormaid, Alice. Mallory’s plan starts with teaching the girl to make Molotov cocktails, which is a perfectly valid science experiment and not at all a desperate ploy to gain Alice’s attention. Before the lesson can begin, though, Alice receives a letter that has her slipping off in the night. Concerned for her safety—and naturally curious—Mallory follows.

It all started with a simple, yet sneakily difficult challenge from global best-selling author Harlan Coben: Pick a bird of prey, then use it as the inspiration for a brand-new story. The response from some of the best writers on the planet: Game on! The result: Eleven stories that are twisty, scary, surprising and bursting with imagination. An egg worth more than its weight in gold. A mysterious operative known only as Owl. An eagle-watcher who sees more than she should. Even a story that somehow places the Maltese Falcon in a nursing home.

Kennedy Bennett comes from a long line of curse weavers. For centuries, her family has plied their trade in Unstable, Massachusetts, an unconventional small town that's welcomed paranormal practitioners since the dawn of spiritualism. Kennedy has recently struck out on her own, opening an antiques shop in Boston, where her specialty is uncursing and reselling hexed objects. Then Aiden Connolly walks into her life with an offer she really should refuse. The scion of a wealthy family of luck workers, Aiden has a scheme to get his hands on the most famous cursed object of all.

May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. May 20, 1869: Housemaid Catriona Thomson had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead. When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality.

In Thorne Manor there is one locked door. Behind it lies a portal to the 21st century, and nothing is going to stop Miranda Hastings from stepping through. After all, she is a Victorian writer of risqué pirate adventures—traveling to the future would be the greatest adventure of them all. When Miranda goes through, though, she lands in Georgian England...and in the path of Nicolas Dupuis, a privateer accused of piracy.

Laney Kilpatrick has been renting her vacation home to strangers. The invasion of privacy gives her panic attacks, but it’s the only way she can keep her beloved Hemlock Island, the only thing she owns after a pandemic-fueled divorce. But broken belongings and campfires that nearly burn down the house have escalated to bloody bones, hex circles, and now, terrified renters who've fled after finding blood and nail marks all over the guest room closet, as though someone tried to claw their way out...and failed.

Casey Duncan, Rockton's only detective on a police force of three, has already faced murder, arson, and falling in love in the several months she's lived there. Yet even she didn't think it would be possible for an outsider to locate the town and cause trouble in the place she's come to call home. When a US marshal shows up demanding the release of one of the residents but won't say who, Casey and her boyfriend, Sheriff Eric Dalton, are skeptical. And yet only hours later, the marshal is shot dead, and the only possible suspects are the townspeople and Casey's estranged sister....

Deep in the Yukon wilderness, a town is being built. A place for people to disappear, a fresh start from a life on the run. Haven’s Rock isn’t the first town of this kind, something detective Casey Duncan and her husband, Sheriff Eric Dalton, know firsthand. They met in the original town of Rockton. But greed and deception led the couple to financing a new refuge for those in need. This time around, they get to decide which applicants are approved for residency.

It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

Victorian Scotland is becoming less strange to modern-day homicide detective Mallory Atkinson. Though inhabiting someone else’s body will always be unsettling, even if her employers know that she’s not actually housemaid Catriona Mitchell, ever since the night both of them were attacked in the same dark alley 150 years apart. Mallory likes her job as assistant to undertaker/medical examiner Dr. Duncan Gray, and is developing true friends—and feelings—in this century.

When experienced homicide detective Casey Duncan first moved to the secret town of Rockton, she expected a safe haven for people like her, people running from their past misdeeds and past lives. She knew living in Rockton meant living off the grid completely: no cell phones, no Internet, no mail, very little electricity, and no way of getting in or out without the town council's approval. What she didn't expect is that Rockton comes with its own set of secrets and dangers.

Casey Duncan is a homicide detective with a secret: When she was in college, she killed a man. She was never caught, but he was the grandson of a mobster, and she knows that someday this crime will catch up to her. Casey's best friend, Diana, is on the run from a violent, abusive ex-husband. When Diana's husband finds her, and Casey herself is attacked shortly after, Casey knows it's time for the two of them to disappear again. Diana has heard of a town made for people like her, a town that takes in people on the run who want to shed their old lives.

After Paige Winterbourne is ousted as leader of the American Coven of Witches, all she wants to do is hide under her duvet for a few months. Let the supernatural world manage without her, see if she cares… But fate, of course, has other plans. A murderer is on the loose - someone with superhuman skills. When Paige learns that the killer is targeting children, she realises she has to get involved in the covert investigation.

No Humans Involved stars necromancer Jaime Vegas. She’s on a television shoot in Brentwood, Los Angeles when weird things start to happen. Invisible hands brush her arms, she sees movements out of the corner of her eye, and unintelligible fragments of words are whispered in her ear. Jaime’s used to seeing the dead and hearing them clearly. But now, for the first time in her life, she knows what humans mean when they say they’re being haunted.

Paige Winterbourne is a witch. Not that you'd notice - no warts, no green skin, no cute little wiggle of the nose whenever she casts a spell. No, most of the time she's just a normal 23-year-old girl; works too hard, worries about her weight, wonders if she'll ever find a boyfriend. Okay, so she does have an adopted teenage daughter, Savannah, who wants to raise her black witch of a mother from the dead. And who is being stalked by a telekinetic half-demon and an all-powerful cabal of sorcerers.

Haven’s Rock is a well-hidden town surrounded by forest. And it’s supposed to be, being that it’s a refuge for those who need to disappear. Detective Casey Duncan and her husband, Sheriff Eric Dalton already feel at home in their new town, which reminds them of where they first met in Rockton. And while they know how to navigate the woods and its various dangers, other residents don’t. Which is why people aren't allowed to wander off alone.

Three years ago, Rosalind Courtenay stumbled from the 19th century to the 21st, where she has been trapped ever since, leaving her husband and infant son behind. Now she's found her way back. The problem, of course, is how to explain her absence to her husband. Does he think she abandoned him? Has he remarried? Is he happy in a new life? Rosalind decides to don a disguise in hopes of answering her questions before showing up on his doorstep. Instead, a twist of fate has her mistaken for her young son's new governess.

Edinburgh, 1869: Modern-day homicide detective Mallory Atkinson is adjusting to her new life in Victorian Scotland. Her employers know she’s not housemaid Catriona Mitchell—even though Mallory is in Catriona’s body—and Mallory is now officially an undertaker’s assistant. Dr. Duncan Gray moonlights as a medical examiner, and their latest case hits close to home. Men are dropping dead from a powerful poison, and all signs point to the grieving widows… the latest of which is Gray’s oldest sister. Poison is said to be a woman’s weapon, though Mallory has to wonder if it’s as simple as that.

Eve Levine - half-demon, black witch and devoted mother - has been dead for three years. She has a great house, an interesting love life and can't be killed again - which comes in handy when you’ve made as many enemies as Eve. Yes, the afterlife isn’t too bad - all she needs to do is find a way to communicate with her daughter Savannah and she’ll be happy. But fate - or more exactly, the Fates - have other plans. Eve owes them a favour, and they’ve just called it in. An evil spirit called the Nix has escaped from hell.

Nicola Laughton never expected to see adulthood, being diagnosed with Cystic Fibrosis as a child. Then medical advances let her live into her thirties and she met Anton, who taught her to dream of a future… together. Months after they married, Anton died in a horrible car crash, but lived long enough to utter five words to her, “I’ll be waiting for you.” That final private moment became public when someone from the crash scene took it to the press—the terminally ill woman holding her dying husband as he promised to wait for her on the other side.