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Culture and Anarchy is a series of periodical essays by Matthew Arnold, first published in Cornhill Magazine 1867-68 and collected as a book in 1869. Arnold's famous piece of writing on culture established his High Victorian cultural agenda which remained dominant in debate from the 1860s until the 1950s. According to his view advanced in the book, ‘Culture [...] is a study of perfection’.

With almost a million words at its command, it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. Matthew Arnold is rightly placed amongst the other greats of Victorian poetry: Browning and Tennyson. The son of the founder of Rugby School, he grew up to become a poet via a career as a school inspector.

Arnold examines God and the Bible from a Rationalist's point of view.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 2 we bring you the classics 'Sohrab and Rustum' by Matthew Arnold, 'The Prisoner of Chillon' by Lord Byron, and 'Faithless Sally Brown' by Thomas Hood. They are read for you by the renowned actors Sean Barrett and David Shaw-Parker.

Considered the bridge between romanticism and modernism, Matthew Arnold wrote verse that is simple, unadorned, and straightforward. From the hypnotic and beautiful lines of "Dover Beach" to the pastoral narrative of "The Scholar Gipsy", Arnold cast a gaze at the main intellectual issues of the 19th century while giving a timeless insight into man and nature. This collection covers his major poetic works, including the narrative poems, sonnets and elegiac poems, illuminating the lyricism and serenity of Arnold's best poetry.

Pursuit of knowledge, beauty, and human perception through harmonious balance between intellectual development (light) and moral refinement (sweetness)

Arnold focuses on culturally important Irish issues as well as others.

Jesus of Nazareth is the Son of God, and no myth, revolutionary, or misunderstood prophet, insists Benedict XVI. He thinks that the best of historical scholarship, while it can't "prove" Jesus is the Son of God, certainly doesn't disprove it. Indeed, Benedict maintains that the evidence, fairly considered, brings us face-to-face with the challenge of Jesus-a real man who taught and acted in ways that were tantamount to claims of divine authority, claims not easily dismissed as lunacy or deception.

Matthew Arnold discusses Middle Class Education and why France then had a superior system in his opinion because the government was involved.

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This brilliant collection of France’s foremost nineteenth-century novelist and playwright delivers four of his most fascinating works - stories of love, rivalry, horror and adventure - all brought to life by a stellar cast included Stephen Fry and Alex Kingston. A huge influence on many of the most famous writers from Proust to Kerouac to Dickens, Balzac delivers beautifully observed and complex characters with an unsurpassed attention to the details of society at the time, making him an exemplary of realism in European literature.

Matthew Arnold was a famous insightful literary critic and philosopher.

Culture and Anarchy is a series of periodical essays by Matthew Arnold, first published in Cornhill Magazine 1867-68 and collected as a book in 1869. The preface was added in 1875. Arnold's famous piece of writing on culture established his High Victorian cultural agenda which remained dominant in debate from the 1860s until the 1950s. According to his view advanced in the book, "Culture [...] is a study of perfection". He further wrote that: "[Culture] seeks to do away with classes; to make the best that has been thought and known in the world current everywhere; to make all men live in an ...

A collection of essays, Friendship’s Garland focuses on intertwining of subjects among friends.

Archaeologist Matthew Connor and his friends Cal and Robyn are finally home after a dangerous retrieval expedition in India. While they succeeded in obtaining the priceless Pandu artifact they sought, it almost cost them their lives. Still, Matthew is ready for the next adventure. Yet when new intel surfaces indicating the possible location of the legendary City of Gold, Matthew is hesitant to embark on the quest.

It has been two years, thirteen days, and twelve hours since the freaks came out of hiding. Now they are a part of everyday life; so vanilla that some people don't see the subtle shades of difference between them and the normal humans. But there are differences, and some humans will stop at nothing to make sure these freaks are never considered normal. Nowhere is this clearer than where very human Lilah Wright goes to school, JWB High school. Lilah was once a champion for the downtrodden and bullied, her former best friend, Oliver Payne, would attest to that.

"Balder Dead" is a beautiful epic poem by Matthew Arnold. It draws from Norse mythology to retell the story of the the death of Odin's son, Balder, instigated by the treacherous jealousy of Loki. (Summary by Nathan)

"Balder Dead" is a beautiful epic poem by Matthew Arnold. It draws from Norse mythology to retell the story of the the death of Odin's son, Balder, instigated by the treacherous jealousy of Loki. (Summary by Nathan)

The poem begins with the beloved god Balder, thought to be invulnerable, dead at the hands of the inoffensive blind god Hoder, in a game. Loki, whose deceit brought about this catastrophe, is promptly punished with exile, and Odin, Balder's father, sponsors a heroic quest to rescue his son from the land of the dead. This desperate venture unexpectedly meets with partial success, a conditional agreement to release Balder if everyone in the land of the living mourns his death. And even though over every hope hangs the threat of the ultimate end of the reign of the Norse gods, the mother of the ...

The poem begins with the beloved god Balder, thought to be invulnerable, dead at the hands of the inoffensive blind god Hoder, in a game. Loki, whose deceit brought about this catastrophe, is promptly punished with exile, and Odin, Balder's father, sponsors a heroic quest to rescue his son from the land of the dead. This desperate venture unexpectedly meets with partial success, a conditional agreement to release Balder if everyone in the land of the living mourns his death. And even though over every hope hangs the threat of the ultimate end of the reign of the Norse gods, the mother of the ...