World History Ancient Civilisation

Graham Hancock's multi-million best seller Fingerprints of the Gods remains an astonishing, deeply controversial, wide-ranging investigation of the mysteries of our past and the evidence for Earth's lost civilisation. Twenty years on, Hancock returns with a book filled with completely new, scientific and archaeological evidence, which has only recently come to light....

In part one, 'First Contact', we discover what happened to art in the great Age of Discovery, when civilisations encountered each other for the first time. Although undoubtedly a period of conquest and destruction, it was also one of mutual curiosity, global trade and the exchange of ideas.

At its height in 660 BCE, the kingdom of Assyria stretched from the Mediterranean Sea to the Persian Gulf. It was the first empire the world had ever seen. Here, historian Eckart Frahm tells the epic story of Assyria and its formative role in global history. Assyria’s wide-ranging conquests have long been known from the Hebrew Bible and later Greek accounts. But nearly two centuries of research now permit a rich picture of the Assyrians and their empire beyond the battlefield.

'All roads lead to Rome.' It's a medieval proverb, but it's also true: today's European roads still follow the networks of the ancient empire and continue to grip our modern imaginations as a physical manifestation of Rome’s ‘extraordinary greatness’. Over the two thousand years since they were first built, the roads have been walked by crusaders and pilgrims, liberators and dictators, but also by tourists and writers, refugees and artists. The Roads to Rome is a magnificent journey into a past that remains intimately connected to our present.

The barbarian nomads of the Eurasian steppes have played a decisive role in world history, but their achievements have gone largely unnoticed. These nomadic tribes have produced some of the world’s greatest conquerors: Attila the Hun, Genghis Khan and Tamerlane, among others. And, as Kenneth Harl illustrates in this glorious work of narrative history, their deeds still resonate today. Professor Kenneth Harl draws on a lifetime of scholarship to vividly recreate the lives and world of these often-forgotten peoples from their beginnings to the early modern age.

Can anyone really own a culture? This magnificent account argues that the story of global civilisations is one of mixing, sharing, and borrowing. It shows how art forms have crisscrossed continents over centuries to produce masterpieces. From Nefertiti's lost city and the Islamic Golden Age to twentieth century Nigerian theatre and Modernist poetry, Martin Puchner explores how contact between different peoples has driven artistic innovation in every era - whilst cultural policing and purism have more often undermined the very societies they tried to protect.