Short Essays

Edgar-award winning author Dana Stabenow is best known for her Kate Shugak novels, but the unifying protagonist of almost all her writing - be it crime, fantasy, horror, or science fiction - is Alaska. This genre-spanning collection of 16 short stories features familiar characters like Kate and Jim, Liam and Wy, and Bill and Moses, but also ranges farther afield than many listeners will expect.

This audiobook, read by Audie award-winning narrators, includes unabridged recordings of all Fyodor Dostoyevky's greatest works: 15 novels and novellas, 18 short stories, a short study of Dostoyevsky by Virginia Woolf, and two books of non-fiction - his Letters and European travel journal.

This is an extensive collection of short essays and other pieces by C. S. Lewis that have been brought together in one volume for the first time. As well as his many books, letters, and poems, Lewis also wrote a great number of essays and shorter pieces on various subjects. He wrote extensively on Christian theology and the defense of faith but also on various ethical issues and on the nature of literature and storytelling. In this essay collection we find a treasure trove of Lewis' reflections on diverse topics.

Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

This audiobook, read by Audie award-winning narrators, includes unabridged recordings of all Mark Twains's greatest works: 12 novels; over 120 of his beloved short stories; Chapters From My Autobiography; 5 pieces of short non-fiction; and 6 pieces of his groundbreaking, wide-ranging travel writing.

When Harold Ross founded The New Yorker in 1925, he described it as a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists of the modern era. This anthology gathers together, for the first time, the funniest work of more than seventy New Yorker contributors.

Christopher Buckley at his best: an extraordinary, wide-ranging selection of essays both hilarious and poignant, irreverent and delightful. In his first book of essays since his 1997 best seller, Wry Martinis, Buckley delivers a rare combination of big ideas and truly fun writing. Listening to these essays is the equivalent of being in the company of a tremendously witty and enlightening companion.

This collection opens with an essay about how writing has helped Andrea Levy to explore and understand her heritage. She explains the context of each piece within the chronology of her career and finishes with a new story, written to mark the centenary of the outbreak of the Great War in 1914. As with her novels, these stories are at once moving and honest, deft and humane, filled with insight, anger at injustice, and her trademark lightness of touch.

The Memory Palace is a collection of tiny, crystalline historical tales that come across like luminous short fiction, and, like Nate DiMeo’s acclaimed podcast of the same name, conjure lost moments and forgotten figures who are calling out across time to be remembered. For fifteen years, Nate DiMeo has turned to the past to make sense of the way we live today, finding beauty and meaning in history’s dustier corners, holding things up to the light and weaving facts, keen insight, wit, and poignant observation into unforgettable tales.

Filled with his usual obsessions - sex, booze, gambling - More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly-veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters - climaxing with a long, hilarious adventure among French filmmakers.

In her introduction to this year’s The Best American Essays, guest editor Vivian Gornick states that her selections “contribute materially to the long and honorable history of the personal essay by way of the value they place on lived experience.” Provocative, daring, and honest at a time when many writers are deliberately silencing themselves in the face of authoritarian and populist censorship movements, the twenty-one essays collected here reflect their authors’ unapologetic observations of the world around them.

For over 60 years, since his award-winning debut, The Room on the Roof, was published, Ruskin Bond has charmed and entertained us with characters ranging from the animal world to humans to ghostly spirits, and his magic touch has often presented to us a world unhurried, tucked away in hills and valleys. What does it mean to be an octogenarian loved by the young and old alike? To be synonymous with the smell of pinewood and rambling mountain paths? In short, what is it that makes him Bond?

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Karan Johar is synonymous with success, panache, quick wit, and outspokenness, which sometimes inadvertently creates controversy and makes headlines. KJo, as he is popularly called, has been a much-loved Bollywood film director, producer, actor, and discoverer of new talent. But who is the man behind the icon we all know? Honest, heart-warming and insightful, An Unsuitable Boy is both the story of the life of an exceptional filmmaker at the peak of his powers and of an equally extraordinary human being who shows you how to survive and succeed in life.

Limit Breaker and Tough Love are collections of stories designed to help you improve your communication skills.

Anthony Bourdain chases the fumigation truck in Bergen County, New Jersey. Dave Eggers tells it straight: Illinois is Number 1. Louise Erdrich loses her bikini top in North Dakota. Jonathan Franzen gets waylaid by New York's publicist...and personal attorney...and historian...and geologist. John Hodgman explains why there is no such thing as a "Massachusettsean."

In Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing.

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

David Bain offers ten essays on writing, with an eye toward helping new writers gain their footing and keeping the more seasoned scribe motivated. It also includes his essay "Basic E-Book Self-Publishing Advice for Newbies" which has already helped hundreds of beginning indie authors. A longtime college English prof and former newspaper bureau chief, Bain infuses these essays on the writing life with years of teaching, editing, and indie publishing experience, using an easygoing yet incisive style.

In 1956, Caedmon had the great fortune to record Eudora Welty reading some of her finest stories. In her sweetly vibrant Mississippi drawl, Ms. Welty deftly draws the listener in to the uproariously multilayered "Why I Live at the P.O.", the spontaneous "Powerhouse", and the insightful voice of women's truths in "Petrified Man". Ms. Welty's reading brings immediacy and resonance to these wonderful tales.