Military Photographers

Lynsey Addario is just finding her way as a photographer when September 11th changes the world. One of the few photojournalists with experience in Afghanistan, when she is asked to return and cover the American invasion, she makes a decision - not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.

Capturing history was Jonathan Alpeyrie's job, but he never expected to become a news story himself. For a decade, the French-American photojournalist weaved in and out of over a dozen conflict zones. But, during his third assignment to Syria, Alpeyrie was betrayed by his fixer and handed over to a band of Syrian rebels. For 81 days, he was bound, blindfolded, and beaten. Over the course of his captivity, Alpeyrie kept his spirits up and strived to see, without his camera lenses, the humanity in his captors.

In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr.

A unique joint memoir by a US marine and a conflict photographer whose unlikely friendship helped both heal their war-wounded bodies and souls.

We've heard the name "Condoleezza Rice" over and over again as the spokesperson for President George W. Bush in matters of national security and foreign affairs. She presented a balanced, firm, unafraid presence to the country after the terrible events of September 11, 2001, as she spoke to the media and the public on behalf of the President. And, when the President has something to say about our friends and foes overseas, "Condi," as she is known to her friends, is usually standing in the background.

In this book, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces - John G. Morris, Magnum Photos' first executive editor, called Capa "the century's greatest battlefield photographer" - and his writing is by turns riotously funny and deeply moving.

From award-winning journalist and children’s book author Mary Cronk Farrell comes the inspiring and fascinating story of the woman who gave a human face to the Vietnam War. Close-Up on War tells the story of French-born Catherine Leroy, one of the war’s few woman photographers, who documented some of the fiercest fighting in the 20-year conflict. Although she had no formal photographic training and had never before traveled more than a few hundred miles from Paris, Leroy left home at age 21 to travel to Vietnam and document the faces of war.

Remington’s name remains recognizable today, and his work continues to impress viewers more than a century after he was active. From the bronze statuettes of anonymous Western heroes in crisis to large-scale actions set against vast backdrops, his works found their form through mythology and by "merging his experiences and memories." Both commercially and nostalgia-driven, the dualistic personality of Frederic Remington as a person is at times a problem for modern sensibilities.

Many of the first artists in the West were assigned to exploration and geological parties, working as archivists and obedient to demands of cold accuracy. However, a few were driven by an imaginative mix of real events and fantastical visions to whet the appetite of Eastern consumers and preserve their own nostalgia on canvas. Among the most prominent artists depicting the "old" West was Charles Marion Russell, a prolific painter, sculptor, writer, and storyteller based in the heart of the Montana country.

Walter Frentz var en af Hitlers topfotografer, og han kommer til Danmark sommeren 1943 efter ordre fra Føreren. Hans opgave er at dokumentere, hvor langt tyskerne er nået med den såkaldte Atlantvold langs den jyske vestkyst. Men i takt med, at Walter Frentz rejser rundt i et postkortskønt Danmark, bliver Atlantvolden mindre vigtig. For fotografen havner i en af de mest skelsættende måneder i den danske besættelseshistorie.

Роберт Капа - один из величайших фотографов мира, оставивший после себя тысячи потрясающих снимков, которые до сих пор изучают студенты фотографии.