Archaeology Anthropology

In 1642, William Waller and his Parliamentarian army came to Winchester with destruction on their minds. They forced entry to the magnificent cathedral that had stood on the site for over 600 years and began to smash things. In the cathedral’s holiest place, ten beautiful mortuary chests rested as they’d done since the 7th century. In search for treasure, the soldiers ripped open the lids and when all they found were bones they flung them at the great West Window, destroying the 14th-century stained glass with its sacred images of the Virgin Mary and St Peter.

Roughly half the world's population speaks languages derived from a shared linguistic source known as Proto-Indo-European. But who were the early speakers of this ancient mother tongue, and how did they manage to spread it around the globe? The Horse, the Wheel, and Language solves a puzzle that has vexed scholars for two centuries and recovers a magnificent and influential civilization from the past.

More than 12,000 years ago, in one of the greatest triumphs of prehistory, humans colonized North America, a continent that was then truly a new world. Just when and how they did so has been one of the most perplexing and controversial questions in archaeology.

For over a century we saw Neanderthals as inferior to Homo Sapiens. After new discoveries, the pendulum swung the other way and they are generally seen as our relatives: not quite human, but similar enough, and still not equal. Now, thanks to an ongoing revolution in palaeoanthropology in which he has played a key part, Ludovic Slimak shows us that they are something altogether different - and they should be understood on their own terms rather than by comparing them to ourselves. As he reveals in this stunning book, the Neanderthals had their own history, their own rituals, their own customs.

Since the late 1980s the dominant theory of human origins has been that a "cognitive revolution" (c. 50,000 years ago) led to the advent of our species, Homo sapiens. As a result of this revolution our species spread and eventually replaced all existing archaic Homo species, ultimately leading to the superiority of modern humans. Or so we thought. As Clive Finlayson explains, the latest advances in genetics prove that there was significant interbreeding between modern humans and the Neanderthals.

The monumental statues of Easter Island, both so magisterial and so forlorn, gazing out in their imposing rows over the island’s barren landscape, have been the source of great mystery ever since the island was first discovered by Europeans on Easter Sunday 1722. How could the ancient people who inhabited this tiny speck of land, the most remote in the vast expanse of the Pacific islands, have built such monumental works?

In the past the elders had encyclopaedic memories. They could name all the animals and plants across the landscape and the stars in the sky, too. Yet most of us struggle to memorise more than a short poem. Using traditional Aboriginal Australian songlines as the key, Lynne Kelly has identified the powerful memory technique used by indigenous people around the world.

Imagine you were transported back in time to Ancient Greece and you had to start a new life there. What would you see? How would the people around you think and believe? How would you fit in? Where would you live? What would you eat? What work would be available, and what help could you get if you got sick?

In the tradition of Jared Diamond's million-copy-selling classic Guns, Germs, and Steel, a bold new synthesis of paleontology, archaeology, genetics, and anthropology that overturns misconceptions about race, war and peace, and human nature itself, answering an age-old question: What made humans so exceptional among all the species on Earth? Creativity. It is the secret of what makes humans special, hiding in plain sight.

Over more than 25 years of teaching and research, Christine Desdemaines-Hugon has become an unrivaled expert in the cave art and artists of the Dordogne region. In Stepping-Stones she combines her expertise in both art and archaeology to convey an intimate understanding of the "cave experience." Her keen insights communicate not only the incomparable artistic value of these works but also the near-spiritual impact of viewing them for oneself.

Was wir erst heute wahrhaft begreifen: Weit mehr als Kriege und Technologien, Religionen und Ideologien beeinflussten und lenkten seit Anbeginn der Zeit die Natur und das Klima die Geschicke der Menschen.

Is the archeologist who discovers a lost tomb a sort of hero - or a villain? If someone steals a relic from a museum and returns it to the ruin it came from, is she a thief? Craig Childs's riveting new book is a lyrical ghost story - an intense, impassioned investigation into the nature of the past and the things we leave behind. We visit lonesome desert canyons and fancy Fifth Avenue art galleries, journey throughout the Americas, Asia, the past and the present. The result is a brilliant book about man and nature, remnants and memory, a dashing tale of crime and detection.

When the Smithsonian’s Hall of Physical Anthropology opened in 1965 it featured 160 Andean skulls affixed to a wall to visualize how the world’s human population had exploded since the birth of Christ. Through a history of Inca mummies, a preHispanic surgery called trepanation, and Andean crania like these, Empires of the Dead explains how “ancient Peruvians” became the single largest population in the Smithsonian and many other museums in Peru, the Americas, and beyond.

Big Bone Lick: The Cradle of American Paleontology recounts the rich history of the fossil site that gave the world the first evidence of the extinction of several mammalian species, including the American mastodon. Big Bone Lick has played many roles: nutrient source, hallowed ground, salt mine, health spa, and a rich trove of wonders. Stanley Hedeen presents a comprehensive narrative of Big Bone Lick from its geological formation forward, explaining why the site attracted animals, regional tribespeople, European explorers and scientists, and eventually American pioneers.

Mayan ruins in the Yucatán...a secret room in a tomb...age-old skeletons. To anthropologist Gideon Oliver, the renowned Skeleton Detective, the invitation to join the archaeological excavation of Tlaloc promises two months of paradise on Earth. That is, until an ancient series of Mayan curses against desecrators of the site is unearthed.

In How War Began, author Keith F. Otterbein draws on primate behavior research, archaeological research, data gathered from the Human Relations Area Files and a career spent in research and reflection on war to argue for two separate origins. He identifies two types of military organization: one which developed two million years ago at the dawn of humankind, wherever groups of hunters met and a second which developed some 5,000 years ago, in four identifiable regions, when the first states arose and proceeded to embark upon military conquests.

Useful for academic and recreational archaeologists alike, this book identifies and describes more than 200 projectile points and stone tools used by prehistoric Native American Indians in Texas. The authors also demonstrate how factors such as environment, locale, and type of artifact combine to produce a portrait of theses ancient cultures.

Who lived in Texas over a thousand years ago? In Porch Talk, John Erickson and his archaeologist friend Doug Boyd investigate this question while explaining the art and science of archaeology for middle listeners. On the Perryton ranch, John and his friends unearthed a ghost town that dated back to around 1300 CE. For more than twenty years, they worked together on this and other prehistoric sites, sharing a fascination for the ancient people who occupied the area. How did these people work, play, and survive?

From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as an accompaniment to How Do We Look and The Eye of Faith, the famed Civilizations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art.

When did the human species turn against the planet that we depend on for survival? Human industry and consumption of resources have altered the climate, polluted the water and soil, destroyed ecosystems, and rendered many species extinct, vastly increasing the likelihood of an ecological catastrophe. How did humankind come to rule nature to such an extent? To regard the planet's resources and creatures as ours for the taking? To find ourselves on a seemingly relentless path toward ecocide?