Wyatt

Wyatt robs banks and payroll vans. Most men like him are dead or in jail, but Wyatt stamps a cold, pitiless style on his heists and has never been caught. Now his funds are low and his luck is running out - until the day Anna Reid explains about the kickback in her partner’s safe. But other players are involved. In Wyatt’s world, there is no yielding, no redemption, and when he’s crossed, the outcome is inevitable.

This time it’s a payroll and bank run in the north of South Australia, an outpost town suddenly transformed by a pipeline construction project that brings petty crime, prostitution - and opportunity. It’s a town with its own secrets, and Wyatt isn’t quick to trust at the best of times. But he’s on the run, and he can’t afford to be choosy. This is another masterpiece of orchestration and unravelling, anchored by an unforgettable ticking-clock sequence that will keep you listening. Fans of noir and hard-boiled fiction will find a fascinating extension of the genre.

After the heists gone wrong in Kickback and Paydirt, Wyatt is further down on his luck and deeper in with the Outfit, a network of organised criminals whose attention he's tried hard to avoid. A risky job in a Brisbane bank and the return of a femme fatale add further complications to Wyatt's increasingly desperate situation and force him to decide who he is and who he cares about.

Wyatt made some powerful enemies in his first three outings, and the time has come to confront them. But we know by now that Wyatt’s revenge won’t be showy, impetuous and futile; it will be pragmatic, elaborate—and still possibly futile. He holes up in Sydney, preparing to return home to Melbourne to play his enemies against each other in a dangerous double-cross that will tear down the notions of loyalty and obligation.

Wyatt steals $ 50,000 and a sought-after piece of jewelry in a burglary of a politician's house. Wyatt snatches the cash easily enough. He bypasses the alarm system, eludes the cops, makes it safely back to his bolthole in Hobart. It’s the diamond-studded Tiffany brooch—and perhaps the girl—that brings him undone. Now some very hard people want to put Wyatt and that brooch out of circulation. But this is Wyatt's game and Wyatt sets the rules—even if it means a reckoning somewhere far from home.

Australian jewel thief Wyatt has a bounty of stolen jewels and a yacht, but nothing can stop him from returning to his life of crime. He drugs his lover, police officer Liz Redding, and escapes into the night only to discover the gems he lifted are fakes. With his luck and his resources rapidly running out, Wyatt begrudgingly joins forces with Raymond, his estranged nephew and an established criminal himself, to lift some expensive artwork.

The job's a classic jewel heist: quick, clean and simple. Except for one thing. Wyatt prefers to work alone, but this job belongs to Eddie Oberin and his very smart ex-wife, Lydia. She has the inside information; Wyatt has the planning genius and meticulous preparation. What could possibly go wrong? Plenty. But when you cross Wyatt, you don't walk away.

Wyatt needs a job. A bank job would be nice, or a security van hold-up. As long as he doesn't have to work with cocky idiots and strung-out meth-heads like the Pepper brothers. That's the sort of miscalculation that buys you the wrong kind of time. So he contacts a man who in the past put him on the right kind of heist. And finds himself in Noosa, stealing a painting for Hannah Sten. He knows how it's done: case the premises, set up escape routes and failsafes, get in and get out with the goods unrecognized. Make a good plan; back it up with another. And be very, very careful.

Some people just work better alone. Wyatt’s one of them. He’s been getting by on nice quiet little burglaries - one-man jobs - when he gets wind of something bigger. A corporate crook, notorious Ponzi schemer, set to face court and certain jail time. He’s about to skip bail the old-fashioned way: on a luxury yacht with a million dollars in cash. Wyatt thinks it sounds like something he should get into. He’s not alone.