Rosie Gilchrist

London, early 1950s. Marcia Beasley of St John's Wood is discovered dead in her home, naked and covered with a coal scuttle. Detective Sergeant Greenleaf is tasked with solving the crime and bringing meaning to her gruesome death, and it seems her whole social circle have secrets to hide and grudges to bear. Who, for example, is the limping midnight visitor? Is the bibulous priest as ingenious as he seems? And will Mrs Burkiss ever yield her keys to the broom cupboard?

Venice, 1954. Rosy Gilchrist thinks luck may be on her side. Her boss at the British Museum has chosen her to travel to Venice to track down a rare edition of Horace's Odes for their collection. Things soon take a drastic downward spiral. A wealthy recluse offers a million-pound reward for anyone who can find the treasure. Soon Rosy finds herself in a race against time as her rivals will do anything for money. Even murder.

Suffolk, 1955. Rosy Gilchrist is asked by her friend Lady Fawcett to join her on a trip to Southwold to visit Delia Dovedale, an old school chum she hasn’t seen in years. Rosy reluctantly agrees to be her companion on the reunion jaunt, but on arrival they discover that their hostess is dead - recently murdered at the local flower festival. Faced with incompetent village police officers and a stern manservant with an eyepatch, Rosy and her friends face the impossible task of finding the murderer in a town of suspicious characters - before the body count rises.

On the set of The Suffolk Seagull nobody really knows what is going on - least of all Felix Smythe, whose bit part is constantly changing, much to Felix’s chagrin. But the unambiguous death by gunshot of a female cast member brings a drama to proceedings lacking in the film itself, and Lady Fawcett, Rosy, Felix and even Cedric Dillworthy are once again at the centre of a murder mystery in which further victims may face the cut.

Dedicating a monument to an eminent member of a Cambridge college should be a simple matter of course, but despite already commissioning an artist to complete the work, the meddling daughter of the deceased is determined to enlist her own sculptor to create the statue. It's convenient for her, then, when the university's chosen candidate turns up dead...Felix Smythe and Professor Cedric Dillworthy, a benefactor to the project, are invited to Cambridge to participate in the preparations. Unbeknownst to them, Rosy Gilchrist is also there, attending a reunion at Newnham College.