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The Ultimate Classics Collection: Volume One is a continent-hopping, century-spanning collection of 15 essential classic novels by British, American, and Russian authors, read by a cast of incredible narrators including Stephen Fry, Jason Isaacs, Adjoa Andoh, David Rintoul, and many more. Included here are stories by some of the greatest writers of all time, including Fyodor Dostoyevsky; Charles Dickens; Franz Kafka; Herman Melville; Leo Tolstoy, amongst a host of others.

In the fall of 1991, Zooey Orson transfers to the Blackfriars School for Boys hoping for a fresh start following a scandal at his last school. Before he knows it, he’s fallen in with a group of boys who all share the same secret, one which they can only express openly within the safety of the clandestine gatherings of the Vicious Circle—the covert club for gay students going back decades. But when the boys unwittingly happen upon the headmaster’s copy of an arcane occult text, they unleash an eldritch secret so terrible, it threatens to consume them all.

Am I healthy down there? How do I use a dilator? Where is the "A-Zone"? Our bums are a mystery to many of us. Despite the growing interest in the media, embarrassment and shame still surround conversations about anal sex and health. It's about time that changed! Butt Seriously is the first-of-its-kind guide to all things anal. Covering toys, training exercises, sex positions and offering helpful advice for when things go wrong, this book is designed to answer all of those questions you may have felt too embarrassed to ask before.

Sixteen-year-old Bethany Greene, though confident and self-assured, is what they call a late-bloomer. She’s never had a boyfriend, date, or first kiss. She’s determined to change that but after her crush turns her down cold for Homecoming—declaring her too inexperienced—and all her back-up ideas fall through, she cautiously agrees to go with her best friend’s boyfriend Jacob. A platonic date is better than no date, right? Until Saylor breaks up with said boyfriend.

On the fictional island of Patusan—and much to the ire of the Patusan natives—the Korean conglomerate LK is constructing an elevator into Earth’s orbit, gradually turning this one-time tropical resort town into a teeming travel hub: a gateway to and from our planet. Up in space, holding the elevator’s “spider cable” taut, is a mass of space junk known as the counterweight. And stashed within that junk is a trove of crucial data: a memory fragment left by LK’s former CEO, the control of which will determine the company’s—and humanity’s—future.

In 1919, far-flung patriots establish the Korean Provisional Government to protest the Japanese occupation of their country. This government-in-exile proves mostly symbolic, though, and after Japan’s defeat in World War II, the KPG dissolves and civil war erupts, resulting in the tragic North-South split that remains today.

When the Seoul police inform Min that his girlfriend Yu-jin has taken her own life, he’s sure it can't be true. She was successful, ambitious, happy, just on the cusp of graduating from university and claiming the future she’d always dreamed of. Devastated by Yu-jin’s death, Min throws himself into finding out why she could have secretly wanted to die. Or did she? And the more he learns about her, the more he begins to doubt he ever really knew her at all.

Twelve-year-old Fee is a shy Korean American boy and a newly named section leader of the first sopranos in his local boys' choir. At their summer camp, situated in an idyllic and secluded lakeside retreat, Fee grapples with his complicated feelings towards his best friend, Peter. But as Fee comes to learn how the director treats his section leaders, he is so ashamed he says nothing of the abuse, not even when Peter is in line to be next.

Fleeing Communist Czechoslovakia with his wife Marica, Vilcek continued his research at NYU School of Medicine, going on to establish a highly successful career in biomedical research and creating one of the most important and trailblazing medicines of our age.

Marsden Hartley (1877-1943) was proud to call himself an American artist, but he dreamed of travel to Europe, believing that he would learn more there than in his home state of Maine, or even in New York. His rise to prominence as a specifically American modernist was based largely on the visual influences that he encountered in 1912-15 in the vibrant cities of Paris, Berlin, and Munich, which he then synthesized through a New England perspective.