The Cutting Edge Japan Business Show

By: Dr. Greg Story
  • Summary

  • For succeeding in business in Japan you need to know how to lead, sell and persuade. This is what we cover in the show. No matter what the issue you will get hints, information, experience and insights into securing the necessary solutions required. Everything in the show is based on real world perspectives, with a strong emphasis on offering practical steps you can take to succeed.
    copyright 2022
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Episodes
  • Dealing With Ambush Speaking Requests
    Jan 5 2025
    Suddenly you hear your name being called upon and you are being requested to make a few remarks. Uh oh. No preparation, no warning and no escape. What do you do? Extemporaneous speaking is one of the most difficult tasks for a presenter. It could be during an internal meeting, a session with the big bosses in attendance or at a public venue. One moment you are nice and comfy, sitting there in your chair, taking a mild interest in the proceedings going on around you and next you are the main event. Usually the time between your name being called and you actually being handed the microphone can be counted in milliseconds. By the time you have heaved yourself out of your chair, your brain has well and truly started to panic. A mental whiteout is probably fully underway and your face is going red, because of all the blood pressure of the moment. Here are a couple of things we can do in this situation. Firstly, take a realistic look at the task at hand. The length of your talk will not be expected to be long. If you are a seasoned speaker, you could get up and wax lyrical for an hour without a problem. For everyone else, we are talking two to three minutes. Now two to three minutes seems rather short, except when you are suddenly thrust in front of a sea of expectant eyes of an audience. Once upon a time, I completely forgot my next sentence and discovered the pain of prolonged time. I was asked to give a brief talk and chose to speak in Mandarin to a crowd of around a thousand people, when I was Consul General in Osaka. It was a special event for the departing Chinese Consul General Li, who was heading to New York. Actually, I was going okay but I paused to allow some applause to die down – this turned out to be a major error on my part. I found when you suddenly go blank, a single microphone stand doesn’t provide much cover, up on a very big stage, with all the lights on you and everyone staring at you. That 30 seconds or so of silence, where I was totally lost and unable to recall what came next, seemed like a lifetime. So I know that two to three minutes can appear really daunting when suddenly called upon to speak. Begin by thanking whoever unceremoniously dragged you up the podium for the chance to say a few words. Try and smile at them, through gritted teeth if you have to. You have to say something, so take the occasion and put your comments into some form of context. You can use the concept of time as your ally. For example, this is where we were, this is where we are today and this is where we are going in the future. This past, present, future construct will work for just about any occasion and any subject. That is the type of ready to go format you need to be able to call upon when you don’t have much preparation time up your sleeve. Another good construct is macro and micro. Talk about the big picture issues related to the occasion, then talk about some of the micro issues. This is useful for putting the event into a frame you can speak about easily. There is always a big and small picture related to any topic. Again, this construct travels easily across occasions and events. We can use the weather, the location, the season or the time of the day as a theme. We can put this event into any of those contexts rather easily. Remember, it doesn’t have to be a long presentation. We can talk about people that everyone would know, who are related to the event. They might be present or absent. We can make a few positive remarks about our host. Then we can thank everyone for their attention, wish them our best and get off the stage. Let me give you a real life example. I was at an event for Ikebana International, sitting there calmly minding my own business, when I heard the speaker suddenly call me up to the stage to say a few words. I had the time from standing up to walk to the podium to compose myself about what on earth I would say. At the extreme outside that time gap was probably 10 seconds. I was going to need to speak in Japanese, so that just added another level of excitement to the challenge. It had been raining that day, so I miraculously dreamed up a water related analogy. I began by thanking the host for allowing me to say a few words, although I secretly I wasn’t so happy about being put on the spot. I mentioned that the stems of the Australian cut flowers that were being exhibited that day, contained water and soil from Australia, as they had just arrived that morning by air. I said that as a result here in Japan we had a little bit of Australia present and each of these flowers were like a floral ambassador linking the two countries together. I then wished everyone all the best for the event and got out of the firing line pronto. Probably not an award winning talk, but good enough for that occasion, with that amount of notice. And that is the point. You need to be able to say something ...
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    14 mins
  • 333 Real World Leadership
    Dec 22 2024

    Change is hard to create anywhere in the world. Getting things to change in Japan also has its own set of challenges. The typical expat leader, sent to Japan, notices some things that need changing. Usually the Japan part of the organisation is not really part of the organisation. It is sitting off to the side, like a distant moon orbiting the HQ back home.

    There are major differences around what is viewed as professional work. The things that are valued in Japan, like working loyally (i.e. long hours) even with low productivity, keeping quiet, not upsetting the applecart, not contributing in meetings, getting deep into the factional constructs of the organisation, are not seen as positive.

    Inefficiencies seem to beg for correction. Innovation seems to be a foreign concept in both senses of the word. Doing what we have always done, in the same way as we have always done it, has eliminated most of the opportunities for making mistakes, so why change anything? Doing things in a new way is inherently risky, because there is no reliable road map. We are going to have come out of our comfort zone to do that and we might make a mistake – not appealing whatsoever to the Japanese staff.

    Meritocracy is a given to the new expat leader and so personnel changes are a prime interest. People are where they are for many reasons and merit is not always the reason. Longevity, who entered the company first, who is your patron, always have a big determinant on whose who in the zoo in Japan.

    Talented people are supposed to keep in line and do what they are told. Showing too many smarts seems they are getting uppity before their betters and the hocho, that is the razor sharp Japanese knives, rapidly come out. The “nail” sticking out is about the get a good whack from everyone who can hit it hard.

    Nevertheless, ignorance is bliss, so our expat hero or heroine plunges in and starts shaking things up. Entrenched interests, who have created this current system to suit themselves, now feel threatened. They are not stoics. They make a very keen calculation. Can we outlast this clown, who is so rude, so ignorant about how to properly lead in Japan, so annoying and so dangerous to our vested interests. If the answer is “yes”, then a guerrilla war commences, where those most threatened band together to slow down progress, obfuscate the vital issues, hide key information, isolate out the new leaders pets to weaken them and look for petards on which to hoist the expat.

    If the answer is “no”, then it is a bare knuckle street fight. There are no rules. Classic weapons are looking for points of failure with new innovations to blow them up on purpose. Anyone close to the boss becomes a target internally and all sorts of societal pressure is brought to bear, to “turn them” into a spy for the “good guys” against this lunatic from outside. They are reminded that our hero won’t be here forever and the rest of us will be. “We will get you. You are going to be toast when the boss heads to the airport for departure to the next foreign assignment. You aren’t going anywhere sunshine, remember that”.

    Out of nowhere and nothing, headquarters starts to get anonymous communication about various crimes and misdemeanors that are pure fiction. Sexual harassment is a favourite, because they know Western companies are really sensitive to these types of allegations. Power harassment which was a preferred, traditional boss leadership technique, has now made it into the upper ranks of crimes, as this has become something flagged in Japanese society.

    Unsuitability for leadership in Japan. Ignorance of the market, clients, business practices, damage to the reputation of the firm locally are all trotted out to paint a dismal picture. The staff engagement survey for Japan is always the lowest score in the world and this shows what a miserable job our expat hero is doing. It is always the lowest in the world, but HQ isn’t usually that smart or well informed enough to know that.

    HQ is demanding Japan’s results improve, but are not happy to see any pushback when changes are introduced. The expat boss has to keep everything as it is, the exact same structure but produce greater results and they have to keep everyone happy about achieving that. The boss is on a hiding to nothing here. Welcome to Japan!

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    11 mins
  • 332 Presentation Visuals
    Dec 15 2024
    Last week we talked about when presenting, you need to transfer your energy to the audience. However don’t have your energy levels at the maximum volume all the time. That just wears an audience out and wears you out too. Instead, you need to have some variation. Very strong and then sometimes very soft. And I mean drop it right down. Remember to have that in the voice range. Sometimes say your point in an audible whisper. I remember when I gave a presentation in Kobe. It was at a university summer school for students who had graduated and were going back to their home countries. I was giving this uplifting talk about how they could use the experience they had in Japan back in their home country. It was powerful, a very powerful presentation. It was an urging my comrades to “man the barricades” type of speech. The speaker after me was a Korean professor. Maybe because of the way I presented, I don’t know, but he spoke very quietly. He spoke in a very soft voice throughout the whole presentation. It really forced you to lean in and listen to him, because you had to work a little bit harder to listen to him. So he got peoples’ attention by having a softer voice. At the time, I thought, “wow look at that”. That was very effective and I realized, ah, just operating at one power level all the time is not going to work. I need to have variety in my voice, so I should have times when I am very powerful and other times when I am very soft. So just watch yourself that you are not getting into too much soft or too much strong mode. Variety is the key. I said before gestures are very important. Be careful about getting your hands tied up with things. If you are saying one thing is important, hold up one finger. If it is the second thing, hold up two fingers. This is important. When you hold up your fingers like that, hold them up around head height. Don’t hold gestures around waist height. It is too low and people struggle to see it. Get your gestures up high in a band from chest height up to around head height. That zone is the key height you want for showing gestures. When you want to show a big point, open your hands right out. Don’t be afraid of big gestures. Use gestures that are congruent. Be careful about waving your fist at your audience though. It looks aggressive. It looks unfriendly and combative. Use the open hand rather than a closed fist. And don’t hit your hands together, slap them together or slap them on your thigh. That activity creating noise becomes distracting. Just use the gestures by themselves. As I said before, 15 seconds is probably at the maximum you want. You can walk around on the stage, but be careful about walking around too much, especially pacing up and down. That makes you look nervous and either lacking in confidence about your message or lacking control over what you are doing. Try and hold the main center point of the stage and move because you have got a good reason to move. Using the names of people in your audience is a great thing to do. If you get there early, meet some of your audience. Have a conversation with someone. It is a nice connector with the audience to refer to that person and say, “I was just chatting with Jim Jones over there before and he made a very interesting point about current consumer trends. In fact, Mary Smith made an addition to that point, when she said “blah, blah, blah…” Suddenly you have both people very much proud of being recognized and involved in your talk. They have been recognized by the speaker and they like it. The audience now feels that you have a stronger connection with those listening. Refer to people by name. It is very, very effective. Don’t leave it to chance, try and look for those opportunities to engage with your audience. Let’s concentrate on the basics. What is the point of your presentation? Who is your audience? What is the point? Be conversational and customize the delivery to your listeners. Have exhibits or have demonstrations or whatever that are custom-made to match that audience or match the point that you are making. Don’t just bring out a set off the shelf points you recycle for every presentation. You might have an existing basis for a presentation, but think about who are you talking to? What is the key point and then take it and re-work it, re-package it up, customize it. I have given 530 presentations in the last 20 years here in Japan. I have never given the same presentation twice, ever. Even with the slides, I will always have some small variation. Certainly the way I present it will be different every time. This keeps it fresh for me, as a speaker. And it also keeps it fresh for an audience. If I feel stimulated and interested in what I am talking about, then the chances are that is how the audience will feel about it too. They ...
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    13 mins

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