Interesting

Some really fascinating insights into the reliance on ghosts in the early/mid 20th century and the links between the supernatural and repressed trauma. I do wish that I hadn’t listened to it on audiobook, because it meant I couldn’t keep up with the details, and I found it a bit disconcerting that the narrator was a man, even though he was excellent. It’s interesting because this choice frames Fodor as the main character, not Alma.

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Insightful exploration of paranormal incidents

A fascinating insight into the potential motivations and psychology behind claims of paranormal activity widespread in the UK during the 1930s.

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1 person found this helpful

Too much Detail in Places

I found this book interesting but thought there was too much irrelevant detail in places which sometimes dragged on a bit. Very good narration though. Incredible that so many people were swept away with the 'phenomenon' - popular at the time, and the work that must have gone into the 'manifestations'

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Very average.

Unfortunately not that interesting nor that well narrated. I liked the Suspicions of Mr Whicher but nothing that I have listened to since by Kate Summerscale has hit the mark.

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Freaky phenomena, fears and frauds

It was 1938 when 34 year-old Alma Fielding living in suburban Thornton Heath was assailed by flying furniture and crockery and Nandor Fodor the Jewish Hungarian psychic investigator working for the International Institute for Psychical Research became involved in Alma's case. Fodor had already revealed many 'psychics' as frauds (the talking mongoose was no such thing; the floral bouquet trembling with psychic energy was being pulled by the psychic's invisible thread), but he believed in Alma. She underwent various tests and strip searches which found nothing amiss - and finally an X-ray which revealed the truth. Beneath her breasts (untouchable in a strip search) and in her vagina (even more so) were secreted the objects which apparently flew from her - the ring shoplifted from Woolworths was expelled through her self generated spasms (!)

There is a great deal about other performers and their tricks, but the most interesting part of this book is the analysis and the cultural background of these years when there was enormous interest in England in spiritualism. It was a time of massive still unresolved loss following WW1 whilst the dangerous and frightening times in Europe as a whole made for dislocated people yearning for reassurance. After Fodor found that Alma's displays of object-expulsion were fake, he did not desert her. He accepted that her temporary paralyses and other apparently psychical behaviour were real and that the source was well repressed trauma. Alma had plenty of that including suffering several dead babies, an unhappy marriage, intrusive surgery and the removal of her teeth after contracting anthrax from a toothbrush (!).

The weight of this book comes from the way that the whole psychic / spiritual vogue is carefully set in the culture of the times. Freud comes in; a great many works of fiction such as Elizabeth Bowen's &Daphne du Maurier's Rebecca are splendidly included as well as poets; Magritte and his deeply unsettling, and dislocated paintings were on display. This apparently crazy poltergeist craze can be explained as a manifestation of repressed trauma and mounting tensions on personal and societal levels, and cultural and social dislocation against a back drop of rumblings of war (the contemporary political events occur throughout the book). Plenty to think about and parallels to be made with these Covid times.

I found the narration rather irritating - David Morrissey was too gentle and reverential.

What can you imagine is the most bizarre use of a cow's udder ever recorded? You'll never guess, but listen carefully and you'll find out!!

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7 people found this helpful

Somewhat disappointing

An often fascinating account of the psychology of haunting and the credulity of psychical researches marred by frequent descent into catalogs of flying plates, smashed glasses and miraculous manifestations.

(David Morrissey's eccentric pronunciation can also introduce a jarring note.)

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Bit dreary

Interesting subject matter, and Neil Morrissey does a fine job as narrator. He proposed deserves more admiration for keeping the pace and not falling asleep, as the material does drag on. I don’t fault the author for that, as she is faithfully quoting the source material and supporting her research, it’s that source material that gets tedious.
I didn’t dislike it to the point I regret the time spent, but I’m relieved to be finished with it - like a weight has been lifted!
The weight of dreary British suburbia.

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Thoroughly fascinating.

What an enjoyable read this turned out to be. I nearly listened right through in one day - it was only my need to be up in the morning that prevented me!

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3 people found this helpful

A bit boring I think

There are a few slightly distasteful elements in this story. I won’t go in to detail but will say that some of the material is a little tasteless. That apart, it’s all a bit flat, the narration included, and a bit boring. Perhaps the fact that the whole business is just too long drawn out is the root of the problem. There’s enough material for a decent 30 minute podcast episode. But that’s is. I wouldn’t recommend this one.

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1 person found this helpful

The narrator tried hard but failed.

I finished this but it was hard work. Seems this is a filler until the author writes something more worthy. It's more a biography of Fordor that an interesting account of Alma Fielding. Seems that all the research was wasted but this really didn't stop the author from this very poor story.

Feel. I wasted eight hours on it.

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1 person found this helpful