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Mad at the World

A Life of John Steinbeck

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Mad at the World

By: William Souder
Narrated by: David Colacci
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About this listen

The first full-length biography of the Nobel laureate to appear in a quarter century, Mad at the World illuminates what has made the work of John Steinbeck an enduring part of the literary canon: his capacity for empathy. Angered by the plight of the Dust Bowl migrants who were starving even as they toiled to harvest California's limitless bounty and appalled by the country's refusal to recognize the humanity common to all of its citizens, Steinbeck took a stand against social injustice - paradoxically given his inherent misanthropy.

A man by turns quick-tempered, compassionate, and ultimately brilliant, Steinbeck could be a difficult person to like. Obsessed with privacy, he was mistrustful of people. Next to writing, his favorite things were drinking and womanizing and getting married, which he did three times. And while he claimed indifference about success, his mid-career books and movie deals made him a lot of money. And yet Steinbeck also took aim at the corrosiveness of power, the perils of income inequality, and the urgency of ecological collapse.

Steinbeck remains our great social realist novelist, the writer who gave the dispossessed and the disenfranchised a voice in American life and letters. Eloquent, nuanced, and deeply researched, Mad at the World captures the full measure of the man and his work.

©2020 William Souder (P)2020 Tantor
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The mood of a great man

This book was a lovely read. It captured the essence of what made John Steinbeck tick and what drove him to write such amazing books.

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Understanding the man behind the writing…

It’s my belief that books come alive when you understand something about their authors and what influenced and motivated them to write each story. This biography certainly achieves that aim in respect of Steinbeck’s work. So far I’ve only read two of Steinbeck’s novels, ‘Grapes Of Wrath’ and ‘Cannery Row’ but thanks to this account of his life and literary cannon, I shall definitely be working my way through the remainder. My only slight criticism is that the narrator’s voice on this recording was somewhat gloomy but once you became used to it seemed to serve the purpose of portraying Steinbeck’s personality. So in a way, it added to the overall impression of Steinbeck’s life. I would recommend this book to anyone with an interest in literature.

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